2016 Reading List #23: Hamilton: The Revolution, by Lin-Manuel Miranda and Jeremy McCarter

I feel slightly ashamed that it’s the first of May and I’ve only completed 23 books this year. I guess I should preface that by saying I’m a fairly accomplished reader, but the need to teach freshman English and finish my MA thesis and take an oral exam kind of got in the way of my normal reading time. My lack of literature classes is also a player in this–no required reading means fewer books read, but freer time to spend.

Since finishing my thesis defense about 5 weeks ago, I’ve been working my way though Voyager, the third book in the Outlander series. I’ve hit the 500 page mark, but since the book caps out at 870, I’ve still got plenty to read. And since this is such a long book, I think it fair to supplement my reading with other things, which is why this post is even happening.

Since I’ve been listening to the Hamilton soundtrack repeatedly for months now, I figured preordering Hamilton: The Revolution was a smart idea. The book contains the show’s libretto accompanied by Lin-Manuel Miranda’s annotations and supplementary interviews and text detailing the preproduction process and insight into the show and the people who’ve made it happen.

I made an odd decision (not sure if I’d call it a mistake, but I was annoyed with myself) to send the book to my home address, where I wouldn’t be going for nearly 2 weeks, so the poor book lay untouched. Once I got home to it, though, we instantly bonded, and I set aside all other reading projects in favor of this one.

The book delivers everything you could ask for in terms of the behind-the-scenes knowledge of the show (it could only be more perfect if it was accompanied by a DVD of the full Broadway production). For whatever reason, I cried like every five minutes of reading. There are certain times when such a reaction is expected (like from the middle of Act Two to the curtain call), but I was oddly emotional for the whole experience.

And experience really is the right word for what this book offers. We don’t all have the luck (or money) to attend the hottest-ticketed show on Broadway, but offers like this one give a glimpse into the world of Hamilton. Now that I’ve finished reading it, I’ll resume my enjoyment of the soundtrack, and continue to hope I’ll win the lottery and afford great seats to this show.

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