This marked my third time reading Arthur Miller’s classic The Crucible, but I was no less struck by its weight this time than during any of my previous reading experiences.
The Crucible is largely famous because Miller used its setting during the Salem witch trials to parallel his feelings about the House Un-American Activities Committee during the Red Scare. The thing I find most striking about the play is Miller’s ability to make the tension and frustration so palpable. Though I know what the expect of the plot, I am equally enraged by it on every reading, which I think speaks to Miller’s mastery as a playwright.
Since I’m slowly making my way through Arthur Miller’s collected plays this year, I was especially struck to see the thematic similarities between The Crucible and An Enemy of the People, Miller’s adaptation of Ibsen’s work that chronologically precedes The Crucible. Both plays take on the importance of truth in the face of an antagonistic community. Miller really knows how to tap into the power of a fearful community, particularly when they choose to point the finger at a common enemy.